FAQs for Myst III Exile (Original Game Soundtrack) When was Myst III Exile (Original Game Soundtrack) released ? Listen to all of Myst III Exile (Original Game Soundtrack) online on JioSaavn. The songs were composed by Jack Wall, a talented musician. There are a total of 30 songs in Myst III Exile (Original Game Soundtrack). Myst III Exile (Original Game Soundtrack) is and English album released in 2001. Some tracks are a bit shorter than I feel that they should be (a good example might be "Jungle Landing," a track that is featured in the game through two or three different versions), though the song lengths are definitely an improvement from Wall's previous work with the Myst series.About Myst III Exile (Original Game Soundtrack) It's an easy and engaging listen from start to finish. Revelation's soundtrack is exciting, beautiful, dark, and diverse throughout. The soundtrack he composed for the series' fourth game, Revelation, is one of my favorite game soundtracks ever. It's pretty obvious that I think that Jack Wall was the best thing to happen to the Myst series concerning its soundtracks. Honestly, if some of the pieces were longer, it would definitely be the best of the series. This is also an issue during gameplay, where the songs might be repeated constantly if the player is stuck on a puzzle. However, the songs are generally too short, many tracking at only a minute or two long. Like Uru, Exile's soundtrack holds several of the series' most beautiful and entrancing pieces. Luckily, the company acquired Jack Wall and he composed the second sequel's soundtrack. Because of this, Cyan was in need of someone to create Exile's soundtrack. This was the first Myst game to not include Robyn Miller, co-founder of Cyan Inc., in the production of a Myst game. It's still a great listen from start to finish, though. Also, I don't feel that Rand Miller's voiceover was necessary in the opening track. While Uru's soundtrack contains some of the most beautiful music heard in the Myst series, it often lacks certain elements that give it the trademark Myst feel as well as certain elements that would have made it more exciting. The music includes several ambient pieces as well as some tribal-esque pieces (some of the music on here almost reminds me of something Steve Roach would make). The music in Uru: Ages Beyond Myst (and whatever pieces followed concerning Uru) was composed by Tim Larkin. Though not necessarily part of the series, I decided to include it since it is part of the franchise as a whole and an official soundtrack was released. Certain tracks are distinctive, such as the dark and calming "Gateroom" or the exciting "Moiety Theme," though for the most part the songs here are best heard when creating the atmosphere necessary for the gameplay (which they most certainly succeed at doing). Many of the tracks sound very similar to the point where one might forget what track they are on. Listening to the music in soundtrack form, however, is a bit harder. Each piece fits its part of the game perfectly (the soundtrack is basically composed of dark ambient music, which makes sense since it is the Myst game with the darkest storyline). Composed by Robyn Miller, the music definitely does its part in making it my favorite of the series. Overall, Myst has a decent soundtrack that could have easily been cleaned up and improved with money they made after the release of the groundbreaking series debut. Another lingering flaw with the music here is the quality of the production and recording. This is perfectly fine for gameplay, but not necessarily for the soundtrack, since it might become annoying to hear the theme used for Achenar three to four times throughout the soundtrack. Miller uses the same themes for different aspects of the game multiple times during the game. The result worked very well during gameplay, but the soundtrack as a whole turned out to be a hit and miss. Of the very few taking part in what was at the time a small project, Robyn Miller handled the responsibility of creating the game's soundtrack. The highlights on this album are definitely the more ambient tracks, such as "Tahgira Ice Fields" and "Myst." With all things considered, the soundtrack for End of Ages seriously lacks material crucial for it separate itself from the rest of the series' music, which would have made it a great deal more interesting. In fact, "Descent" and "The Great Shaft" are two pieces of music that had already been used in the soundtrack for Uru: Ages Beyond Myst. A large handful of music here is quite similar to music found on the other soundtracks in the series. There really isn't that much to say about the music for the final installment to the Myst series, composed by Tim Larkin.
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